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Music is evil

Well, all these years this is what we’ve been missing, isn’t it? When that Burnley ball hits the back of the net we just haven’t known what to do with ourselves. Now relax, for we are saved. When the Clarets score at Turf Moor, henceforth a blast of recorded music will steer our celebrations along an appropriate, officially approved course. At last, we all know what to do.

And isn’t it awful? Look, I’m not going to pretend that this will be a balanced argument that weighs up the pros and cons of goal celebration music. Simply, I hate it. Always have done, always will. And I write, by the way, as a lover of music, as someone with a huge, shelf-defying record collection and an enduring music habit second only to Burnley FC for disposing of my income. I don’t, as it happens, much care for the chosen music, Tom Hark by the Piranhas, and it isn’t the sort of thing I could see myself popping on the stereo at home, but that’s a matter of personal taste, and not the point here. The club says that the fact the tune has an association with Burnley means that it is appropriate thing to play, but for me it doesn’t matter what the jingle is. It’s the fact that music is being played when we score that is wrong. The choice of tune is irrelevant. It wouldn’t make a difference if it was a hallowed choice from a personal top ten. It would still be wrong, because it doesn’t belong there. You see, I like listening to music at home. I like going to see bands play live. I just can’t see where it fits in at a football match, particularly while the game itself is being played.

As far as I’m concerned, the only connection Turf Moor has with the world of music is that The Fall filmed the video for Kicker Conspiracy there. And that should be the end of it.

I loathed goal music when it started creeping in at away grounds. I think my first exposure was an absurd snatch of James Brown’s I Feel Good at Tranmere in 1995. We felt anything but as we heard it four times that day. I remember at the time, even in the midst of abject defeat, feeling pleased that we didn’t have any of that sort of nonsense at Burnley. That was my crumb of comfort. Let other clubs resort to artificial means to try to generate atmosphere; we had no need of such fakery. From then on, we would duly rip the piss out of any club that played goal music.

Until now. They have snatched away our leg to stand on. I cringe now it has been introduced at our club. I despair that, according to what we might as well for the sake of convenience call the club’s ‘PR department’, it’s here to stay. Danny Reuben, PR bloke, says, "We will be continuing with the music and I do hope, in time, that you start to enjoy this initiative." Of course you do, don’t you, generally begin to enjoy something you really hate, if you get it shoved down your throat enough times? I don’t think so. It is, and always will be, naff, embarrassing and brainless. It never will stop being intrusive, unwelcome and unnecessary.

It’s an imposition too. At the Wimbledon home game, when this ghastly innovation was introduced, three times I tried to celebrate our goals in the usual, time-honoured manner, as I have hundreds of goals before. That is, by cheering in whatever way I damn well please. Three times I was stopped short by the intervention of music I didn’t want to sing. Stop interrupting us and we’ll get behind them! And whatever was wrong with allowing us to decide what song we sing? Must we be led by the hand? If Glen Little scores a wonder goal, I want to sing the name of Glen Little long and loud. If Steve Davis powers in a header, his name. If we score against someone I hate, I want to revel in that sweet moment. Whenever, whatever, I want to make my own mind up. I want choice. With goal music, if you want to celebrate a goal, you have no choice but to go along with the chosen tune. Either that, or shut up. To be forced to go along with an imposed, officially sanctioned tune is nothing less than musical fascism.

It’s inappropriate. It might be all very well when you score your third at the start of the season. All very jolly I’m sure, although I always will think that anyone who joins in ought to be ashamed of themselves. But there will be times when goal music strikes a bum note. Will they play it when we notch a slim consolation at the end of a stuffing? What about a tense, bitter, hate-fuelled derby when all you want to do is rub your goal in the opposition’s faces? Or imagine an end of season match where we need a point. We’re 2-0 down. It’s so tense it physically hurts. Your stomach’s twisted, your heartbeat’s erratic and you can’t think. Suddenly we grab one. There’s a minute to go. We need another. Time for a jocular piece of music? I don’t think so. I don’t want to treat important goals the same as trivial goals, and I don’t want to celebrate great goals as I would off-the-defender’s-arse goals. I don’t want uniformity. I don’t want honest reactions to be blanded out.

The game itself is capable of delivering the highs and lows. Football is a game of strong, sometimes unpleasant passions. What’s a cheeky burst of music got to do with that? The game doesn’t need dressing up. Come to that, the most emotional, exciting and noisy parts of the game are when we’ve just scored. Surely that’s the time we need music least? Are our own efforts no longer adequate?

And it’s unfair. I hate the fact that goal music is for home goals only. It’s not fair at away grounds when sides do it to us, and we have to sit there while they go through the routine, so why should it be okay for us to do it at Turf Moor? It’s an artificial means of goading the opposition, which can’t be on. That’s our job.

It’s pointless. I genuinely can’t see what this is supposed to bring to the game. The atmosphere at Turf Moor is, as we all know, rubbish, but it has been ever since they built the new stands and made us sit down. Burnley’s the sort of place you should be standing up at, but I can’t see for a minute the club being prepared to think the unthinkable and join those working to restore the option to stand to our game. Even unreserved seating – remember when you could sit with a group of mates, before we scattered to different parts of the ground depending on how frequently we attend? – would help. Instead, of course, we get a glib and thoughtless innovation. Imagine that music when the novelty value has worn off and it begins to grate. Imagine people sitting down when we score a goal because they do not want to take part in a pre-ordained, choreographed bit of nonsense. Very atmospheric.

Club representatives, bringing their combined months of experience to bear, claim that the music produced an unparalleled atmosphere at the Wimbledon home match. Danny Reuben says, "The site [sic] of everyone in unison dancing along to the music was fantastic. In the eighteen months I have worked at Burnley Football Club I have never seen so many fans react in such a positive way after a goal had been scored." Hmm, we’ll see how long that lasts. Personally, I’ve always found that people stand up and cheer because we’ve scored a goal, not because a snatch of music has been played. It’s hardly cause and effect. Perhaps a rare goal rush and a good start to the season had more to do with people’s reactions. But I found it amusing that people at the club now seem to be happy with supporters dancing in their seats; just last year, they were chucking people out merely for standing up.

Oh, and don’t tell me the kids like this. Get this: I don’t care. Most Burnley supporters today went to games when they were kids. Remarkably, as with generations before them, they didn’t get hooked because of music, half time entertainment or even people dressed as bloody bees. They came back and developed the habit of a lifetime because football is fast, exciting, unpredictable, compulsive, and therefore addictive. Burnley FC have done outstanding work in ensuring the succession by introducing the £35 child season ticket, and they should be commended for that. But we can’t redesign the game around children. Should us adults have to put up with any number of irritating innovations on that basis? Perhaps clowns could show us to our seats and there’ll be a free bag of sweets with every programme? Or perhaps we could trust the game itself to make people want to come back for more?

Besides this, there should be no place for such tackiness at Burnley. Many of us pride ourselves that Burnley is a no-nonsense, traditional sort of club. We’re not flash. We should disdain needless innovations. Let clubs less sure of themselves fall for those. I wonder what Stan thinks of that music? We are Burnley and we are prouder than this.

Perhaps the club no longer has faith in the product, so compromised and rendered meaningless has it been by mass fixture changes, which have ended Saturday afternoon football as a tradition and expectation. With games stretched around the week from Thursday through to Sunday, the league as a competition has lost much integrity. It’s hard at times to convince yourself that it's meaningful. Do they feel this too, so they see the need to distract us with new things? Do they think that glitz, glitter and fireworks, that the tarting up of a devalued product, will make up for what has been lost?

I don’t know, but I do worry that the PR mob have too much time on their hands if they’re cooking up hair-brained schemes like this. I dread to think whatever next. Can’t we find them something fulfilling and time-consuming to do?

Interestingly enough, we had this nonsense before, briefly, and we beat it. A few years back – the PR kids won’t know because they weren’t around then – we were treated to a snatch of Blur’s Song 2 when we scored. That didn’t last long. You’d have thought the club wouldn’t be dumb enough to try it again, but then, those who don’t learn from mistakes are bound to repeat them. Well, we’ll just have to see it off again.

In the meantime, why not use your imagination? Why not sing your own song when Burnley score? Let’s bring spontaneity back to Turf Moor.

Firmo
30 August 2001

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